Why is it effective?

01.

Putting people at the heart of climate stories
Rather than making the flood the spectacle, the film stays close to its main character and her experience of displacement, motherhood and family. By following an ordinary person navigating an extraordinary situation, The End We Start From makes environmental crisis feel personal and relatable.

02.

Showing climate change without the spectacle
The filmmakers deliberately avoided an apocalyptic or science-fiction approach. Instead, the impact of the flood is shown through intimate moments, from water entering the character’s kitchen to swimming, rain and changing landscapes. Even the flooded kitchen was created with a small build and a bucket of water, showing how a simple idea can have a strong impact on screen.

03.

Exploring how crisis can change the way we live
The film also looks at the relationship between everyday life and the environment. The main character’s lifestyle before the flood contrasts with her parents-in-law’s more resource-conscious way of living, becoming part of her journey as she adapts to a changed world.

04.

Making climate crisis personal
For director Mahalia Belo, the starting point was the way Megan Hunter’s novel explores a climate disaster through the lens of new motherhood. “The book is so effective because it speaks about a flood a climate disaster through the lens of new motherhood.” The film keeps that intimate perspective throughout, choosing to explore what happens to one person and her family rather than attempting to depict the full scale of a flooded Britain.

05.

Finding impact in the everyday
The filmmakers were careful not to turn the story into a traditional disaster film. The flood is present throughout the film, but often through small, personal encounters with water and the changing environment. “For us the success was in being more intimate, portraying the character’s experience of the flood and water more generally – throughout the film.” This approach also allowed the production to create convincing moments of flooding without relying on large-scale visual spectacle.

06.

Imagining a different way of living
As the main character adjusts to life after the flood, the film explores how environmental crisis can challenge the way we live. Mahalia was interested in contrasting her character’s earlier lifestyle, including its reliance on electricity and convenience, with her parents-in-law’s less wasteful way of living. “That’s part of her journey in the film, connecting with another way of living.” The result is a climate story that doesn’t tell audiences how to respond. Instead, it invites them to consider how they might react if environmental crisis became part of their own lives.

Key takeaways

The End We Start From demonstrates how climate storytelling can work through character, emotion and everyday experience. By keeping the focus on one woman and her family, the film creates space for audiences to connect with the consequences of environmental change without relying on spectacle.

As producer Leah Clarke says:

“I hope people connect with the idea of how this could happen to them and choose to function differently as a result.”

The End We Start From was produced by Leah Clarke and Adam Ackland for SunnyMarch, Liza Marshall for Hera Pictures, alongside Amy Jackson and Sophie Hunter, with support from the BFI, BBC Film, Anton and C2 Motion Picture Group.

This case study was undertaken with the support of the BFI Sustainable Screen Fund.